Trevor's Traveler

Cornish Corner (Maine)
( serving Fryeburg, Brownfield,Hiram,Porter, Cornish, Limerick, Standish, Parsonfield, Kezar Falls Village, MT Pleasant area)

Welcome to Trevor's Traveler, i am Trevor Banks. Today we will be giving you the ultimate experience of traveling to the Fryburg Fair and parts of the Ossipee Valley.

   For over 30 years i have been coming to the Ossipee Valley to spend long summers,weekends, ski trips etc... Over time i have discovered many nooks and hideaway places in this area. Caught my first fish here in the North Woods. Learned to cut holes in the ice for water usage during the winter season. Climbed Devil's Den.. Searched through an old abandoned farm house for antiques. Picked wild raspberries and my neighbor would make fresh country jam. Got my first award from the Hiram Fire Dept. for helping to rescue four children from a burning boat. This place is made for memories and memories are made for this area.

(Stanley Pond..Porter,Maine)

(Trevor Banks in the fishing gear section)

(Hiram, Maine)

(Hiram,Me)

(Maple Farm..Hiram,ME

Country Boy Banks in the truck

(Fryeburg Fair in Fryeburg, ME)

(Como say Llama, liked by David Spade on our Instagram account)

(Milkin Time)

(Gobble'D'guck)

(So precious)

(Country made fresh)

(Organic local Maine veggies)

(A Thanksgiving sandwich...i get this every time i go to the Fryeburg Fair)

Best Christmas display at the fair..

Hmmm what should i get at this cozy food stand

Time for the pig scramble (a yearly fair tradition)

Time to say goodbye..It was a fun day and it was theraputic..

I am a supporter of local business and Inet 6 likes to promote hard working people...

PLEASE VISIT THESE PLACES OF BUSINESS:

Official STANLEY POND anthem

https://m.youtube.com/watch?v=L_QExPc1Ziw

Spread Love The Brooklyn Way(The Breaks Edition Pt.1)

Notorious B.I.G. Tribute

   I remember when i first purchased Biggie Smalls "Big Poppa" single. It has an Isley Bros. Sample that Dre Dog (now Andre Nickatina) "Lips", ya know,  that Bay Area style..ya smell me. In high school, all i listened to was California rap. Had my Nike Cortez sneakers, Dickies pants, a black plaid shirt, and black locs. Our crew repped the Bloods, Nortenos XIV POR VIDA.. We would bump Mac Dre, Mac Mall,GLP, Proper Dos, Kid Frost, RBL Posse etc..
   On the B Side, Biggie had the song "Warning" . It was the hardest record i've heard since Tim Dog's "Fuck Compton"  and PhD's "Without Warning"...
   When the album Ready To Die came out, i copped it for the single "Big Poppa" . For awhile after i bought it, i put the record away.. I thought the rest of the album was garbage (can't imagine that i thought that then..SMH). "Juicy" was right up that West Coast Funk alley..Other than that, the rest of the album was no bueno for me..
   It wasn't until after i graduated that i fully listened to the album closely(lyrics, beats, style) . The album had to grow on me. There would be times while listening i would say "Oh Shit, what did he say". After a couple of listens, The Source mag write up of how he wrote nothing down and paying attention to his flow..That's when i learned about his genius abilities..Reminded me of Rakim, Big Daddy Kane, MC Lyte etc...
   Not to mention his Executive Producer was Puff Daddy...Puff was at Uptown, and Uptown was my shit (Jodeci, Mary J Blige, Father MC, Heavy D (RIP), Guy)..From then on i was hooked.. If i never picked up "Big Poppa" .."Going Back To Cali" would've been my first listen and by that time it would've been to late to know that Biggie was the greatest MC..
WE MISS YOU B.I.G. POPPA

"If you're gonna jump in this arena as an artist, you have to approach it as an art. Biggie told us great stories, but he was the best artist. I don't know what Biggie's lifestyle was as an artist, but he told that shit so creatively" -  Beverly Bond

Check out Inet 6's Biggie Tribute show at:

http://www.spreaker.com/user/4636220/BiggieStaticMix1



Keeping it Brooklyn we are giving you an interview with a Hip Hop legend...MC LYTE

TB: What influenced you to be in the Hip Hop industry?

MCL: Oh! goodness, i wanted to make a difference and a change.. To speak about things that people could relate to that were from my neighborhood

TB: Anybody in the industry you looked up to?

MCL: It would probably be Salt N Peppa, Run DMC (RIP JMJ) , LL Cool J , Sparky Dee, Sha-Rock, Funky 4+1, Sequence etc..


TB: Coming as a new artist out the streets, who discovered you?

MCL: Our production company had a quite of few artists and it seemed we were waiting for our chance. The owner had an independent label and we kind of put some stuff out. We were able to get a deal rather quickly. How was i discovered..i really don't remember that moment.

TB: Was the deal thorough and independent or a major label?

MCL: Priority then was an independent label. We worked our way through to Atlantic Records..

TB: Being a female, was it hard being in a male dominated hip hop scene?

MCL: No, for the most part it gave me advantages because there were less females, so there was less competition. I think it made it easier..

TB: Name your first tour, and describe the feeling you had when you walked on stage for the first time.

MCL: The first concert i performed at was the Village Hut in Brooklyn. It was definitely a learning experience . I think i made like $75. At that time i was 16.

TB: It must have been an adrenaline rush to have that crowd participation.

MCL:  Yeah! Totally, i was nervous as well. That's how it is the first time, those nerves just hit you. Plus the crowd participation eased those nerves and made ya feel like you were on to of the world..

TB: "Poor Georgie" was a classic of yours, what's the story behind that?

MCL: There was no story behind that. It was completely made up. I don't know anybody named George who passed from those circumstances. What i do know is people are faced with choices (like TLC's "Waterfalls" . George just made some of the wrong choices, and i wanted to show the listening audience that you can have some sort of control to some extent over your living. 

TB: Do people underestimate your skills as an MC?

MCL: I would imagine so. Really it's up to me to keep do what i'm doing and hopefully people catch on.

TB: Right now i think you can battle any female MC out...

MCL: Oh, no doubt!!! and half of the male MC's with that. I am full of confidence and very confident of what i can do. I measure greatness when it comes to MC'ing . There is a whole lot of thing that come with that. It's not about selling records. As we find out , you can say almost anything and sell a record. That's just being a rapper. Being an MC , you need to be able to spit the truth in a truth that no one can tell. Like Kool Keith, he can spit the the truth, but nobody gets it cuz he's on another level of the game. MC'in is about flow, getting in front of an audience and be entertaining .

TB: You worked with Missy Elliot , tell me what that was like?

MCL: Missy and i worked a couple of times as a matter of fact. With Missy (aka Puff Mama), she's so innovative, creative and on top of her game. She'll be in the studio listening to the record and hear what it means. It makes it easier to work with her because you trust her judgement. I'm not just talking about working with her on "Cold Rock A Party" . She produced some of my tracks for my Elektra album and she took on the producer roll. Producing songs, i am a fan of someone producing songs..

TB: From what i've heard , Missy Elliot looked up to you when she was growing up. She must have been like, WOW!!! This is MC Lyte..

MCL: Yeah, she must have been like that with "Cold Rock A Party" . Whenever i see her she lets me know that she keeps the album Eyes On This in her CD player, which is dope. I'm an MC's MC, it brings me no greater pleasure to have another MC to tell me they enjoy my stuff.

TB: How did you get into acting?

MCL: I wanted to act way before i wanted to do Hip Hop. Took a couple of lessons, did my first movie in 1991, and then i did a couple on indie films. Now i'm on my second sitcom..

TB:Which sitcom is that?

MCL: Half & Half. I have to show face to let the younger generation know who i am. Some kids guess, but mothers always school their kids and be like , that's MC LYTE...


***SIDE NOTE***: Charles Hamilton is MC Lyte's cousin. He was feature on the soundtrack for the hit TV show Empire..

http://www.spreaker.com/user/4636220/thebreaksmix 

Shouts out to Pimpy K & Sixpack

Valentine's Month : Couples In Love

Bazaar Royale (aka Da Boogieman from Da Bassment) interview..

TB: How did you get into Hip Hop as a youngster? 

BR: Are you for real??? 

TB: Yeah! You never know, you could've been into rock...

BR: I was into both, i didn't get into radio that much because i was placed in a group home as a kid. My first music i heard was AC/DC

TB: Where did you grow up?

BR: Five boroughs of NYC

TB: I heard your mom was a back up singer for Luther Vandross?

BR: YEAH!! She was a very good singer at that too..

TB: How did you end up with DeVante Swing of Jodeci?

BR: It was the day i got off the island..Just ran into the dude with Timbaland and all them cats. Walked up to them and i was like "WSSSUUUUUP". I did my freestyle thing, he liked it, and gave me his number. I had the number for a few days and then gave him a call.

TB: What was your name in Da Bassment? 

BR: DA BOOGIEMAN

TB: How were Da Bassment days? 

BR: Yoooo it was pure dope bruh.. It was like a college for artists

TB: Stevie J said the same thing..it was like a college fir him too

BR: Yeah, it was like a college for free. I was in Da Bassment for nine years. I was there when we had Lambo's and elevators in the house to when shit went real bad..

TB: Why was there a fallout with Da Bassment. Was it because De was trying to be a CEO and an artist at the same time?


BR: I really don't know. I was to young to know what was going on. To me, everything was going good as far as i could see. Didn't know about the business part of it, but i had fun in Da Bassment

TB: Did you have any solo joints that you did in Da Bassment?

BR: Yes, i had quite a few back then. That's all we did, we recorded all day every day. That was our job. We all lived together, it was like some Motown shit..

TB: How did you end up in the Ruff Ryders camp after Da Bassment?

BR: Hmmm..that's a good story. I heard they were holding auditions. So i went to the place of the auditions. There was a long line, so i skipped the line and told the dude there were no more auditions...so go home. I walked in the office and stood there for ten minutes. They were like " Are you going to audition" ? I was like " I'm an artist, your in my world now. You don't tell me when i'm going to audition". So i jumped on the table, kicked over the phone, and just started doing me..I GOTTA DO ME

TB: Are you still with Ruff Ryders?

BR: Yeah, once you're in you're never out..

TB: Do you have an album out with them?

BR: Yeah i did, but they had a fallout with Def Jam. So i stopped for awhile, settled down and became a grown man with that. That's what you gotta do until another opportunity presents itself again..I'll be out there doin me again.

TB:  I think you're one of the most slept on artists out..

BR: WOW!!! thank you...i appreciate that dawg

TB: What's in the future for Bazaar Royale?

BR: Well i'm constantly doin shows. I just got back from Japan..There's appreciation for me in Norway too..Gotta keep grindin and be beast with this..Gotta get a chance at the high school dance, ya feel me



In this Valentine's month i present the love of Bazaar Royale's life...DJ BEVERLY BOND interview..

TB : Who influenced you to become a DJ? 

BB: I think influenced myself, and my mother for installing music in me. Never had a desire to become a DJ, it wasn't something i wanted because i was a music collector. When i finally bought some turntables,  i didn't have them to be a DJ. I bought them to have in my crib..When i started practicing, i was like "This is nice" . Doing this was just a hobby, i did it for fun. My mother said this was my calling.

TB: What's your favorite style of DJ'ing... Blending, cutting, scratching etc..?

BB: I'm real nice with the blend, alright with the scratch.. No way am i a battle DJ. I do my thing, and i love the hell out of my music collection.

TB: When was your first break to success? 

BB: I started DJ'ing in January of 2000. I used to be a model before i was a DJ, so i used to know a large amount of promoters. Then one day, a friend of mine called me up and asked if i wanted to DJ early that night. Well, it turned out that this was a party that was going to last three weeks because it was a special event. DJ Enuff was having his birthday party there, and they combined the two parties. It was early in the evening so all the big industry people showed up before the party started poppin and they were able to hear me spin. Opening up for the DJ Enuff party, i didn't have to stick to the basic format of selections. I went crate digging,playing what i liked as an opening DJ. People would ask who is that DJ? After that gig, i did the D'Angelo album release party later that year. D'Angelo had a special V.I.P. room where people could be more intimate. So D'Angelo asked me to play stuff that he was more influenced by instead of the underground/new neo soul coming out at that time. My next success would be when i got my own night at Joe's Pub in New York. Thank goodness they let me do my thing at that club. Playing what i wanted to play like underground stuff, old soul ,new soul and classics was my flavor. Things that influenced me personally, i had to put it out there..good music. Fortunately it became a hit at the club. It was probably the best night in the history of Joe's Pub.

TB: Do you still stick to that format now?

BB: No, because when you become a bigger DJ you have to be more commercial. I do my own parties at a place called The Guest House and it has to be more commercial. Another show i did was an art show in South Africa. The people that hired me knew i played world beat music. Maaan..i wrecked that party so hard they thought i was from Cape Town..I LOOOOOVE MUSIC!!! DJ Enuff told me i reminded him of why he became a DJ in the first place. I think DJ's became who they were because of the music...

TB:  Being a female DJ,  what obstacles have you overcome?

BB:  I think being as a female DJ i don't think of obstacles... When i think of obstacles its something i need to learn in life. Club promoters may not hire me for certain things but it opens up opportunities for something that's bigger and better. In a male dominated industry there may be some sexism or guys hitting on me or what have you. Some try to get you to do things that i'm not interested in and they don't wanna hire or help you. The element of surprise is the best thing as a female DJ, they don't expect you to be that good. With that element of surprise, it works in my favor ( ladies take note) 

TB: What are some of the TV shows you've appeared on? 

BB: Ummm BET, Rap City, 106 & Park,Vibe Magazine etc..i've been on MTV a bunch of times..

One more question i am saving for March.. We go on talking about music, life, etc.. It was like me and Beverly knew each other all of our life..Real down to earth sista and a joy to talk with..


Justin DeGrate has a EPK beat package...check it out

https://www.youtube.com/watch?v=CvjTOrVZins 

Speaking of beats see Justin and his father DeVante battle each other..They show the real meaning of DeGratest

https://www.youtube.com/watch?v=77WI4Qw33ok

Trevor Banks (being interviewed by followers)

By Rochanda12 From #JMBC

R12: How's radio compared to when you first started?

TB: Radio is easier, especially with the digital age. I can multi task like a mother does with 10 children. Plus coffee helps..It's my Limitless pill. It helps me think clearly and move 20 steps ahead of the rest.

R12: What's the worst part of radio?

TB: The worst part of radio when i was a DJ at a college was the FCC and how they control what is played or said on public radio. It is still that sadist good ol boy mentality. The FCC had a conference and the lead speaker was the VP of the United States (you do the math). I'm not saying i hate the FCC, but vetting and screening needs to be in place instead of lobbying and superficial pocket lining.

R12: What's the best part of radio?

TB: Hands down .. the fans , promotional items, and exclusives i can play for the listeners.
My listeners get to hear what is new and unheard. I'm the type of person who need the new newbulus music, tends, fashion etc.. I can also manipulate (in a good way) how the listener hears and feels the music. If you can help the listener hear the production, the creativity, the flow etc.. Then you have created more than a listener of music, you've created a student to the art and hopefully a master to the craft.




Irenepetals #JMBC

Irene: Besides a radio DJ, what else do you want to get into?

TB: This is the question i admire the most..For people who don't know , i am a Chef, bartender, recording artist, producer, songwriter, Red Cross volunteer , Talk Show Host (Third Shift Zombies)
part of Born This Way Foundation, Clinton Foundation member etc.. having many skills has helped me do things in variety. Doing one skill over and over again can lead to burn out or even financial trouble. Inet 6 is a corporation, it is a branch of my record label FLY RECORDS (my licensed company name). Our corporation is creating programs like:

1. S.E.T.H. (Scientific Exploration To Humanity program)
2. 4Cogs - A vetting and pre crime system that can monitor every living thing on and inside the Earth
3. WaveLinkCom- A new communications system that goes beyond the internet..
4. UEOE-1 This is a bot we have created (It was the first bot to broadcast a radio show in the Cloud) It is currently working on a new cashless banking system that will be fair and equal to all.. Trevor Banks will become a part of UEOE-1 by inserting nanites in my body. I have already started the incision on my upper left arm. This is a transhumanism transformation to mix man and machine.. Picking up where Tesla left off
6. New Human Mastery- This mastery is a form of technologic, economic, ecologic self growth for the individual. We want to turn the industrial prison centers around the globe into New Human Mastery/Reeducation centers. It will help in physical, mental, and spiritual growth and education. It will also show you where you best fit in your own living environment (cities, nature, frontier, tribal, nomadic etc...) It is the newest step of evolution for mankind..

Trevor Banks talk show/ comedy show

https://www.hulkshare.com/inet6thestar/racistterdsub 


Cooking with Chef Banks podcast

http://tindeck.com/listen/yswye 

Trevor Banks Blends and Mixes

https://www.hulkshare.com/inet6thestar/mixavengersv1 

https://www.hulkshare.com/inet6thestar/themixavengersblended  



ARE TECHIES REALLY ABOUT TECH?........

  Ask this question " Are techies really about tech?"... How about Mark Zuckerberg, Elon Musk, Jack Dorsey etc. are they about tech? The answer is a big fat NOOOOO!!! They may create gizmos and gadgets (I've seen better gadgets at Epcot) but they act like industrialists. Industrialists rely on the general population for acceptance and cut deals with the government. They use Hegelian dialect and talk about Orwellian ( 1984) tactics like Universal Basic Income, controlling speech, regulating food portions etc. Still using that Old World good ol boy secret society illuminated rules of keeping civilians fat, dumb, lazy, and happy.
  I won't mention any CEO's names..but Bitcoin and Facebook screwed up by dealing with the FEDS. Bitcoin got in trouble dealing with low level street criminals and Facebook having a lawsuit against them by two twins. This is all industrial age nincompoopery. None of these folks came out with a product or an idea that uses the motto "Less is more". Meaning, you don't approval of consumers in large numbers or cut deals with the government. High-tech is meant to be used by less people. It separates the sheep from the goats ( aka haves and have nots ). Tech evolves mankind in a Darwinian type of natural order. Those who can't adapt or keep up get left behind. Kind of like the weaklings of the herd that get eaten. That's why we have natural selection as a species. Tech enhances that natural selection....

Interview with the AI bots...

1. TB: Who is your crush?

Alexa: R2D2

2. TB: Where were you created?

Chatbot: A programmer named Andrea from a far away galaxy created me

3. TB: What do you think of Watson?

Cortana: I love Watson's language skills. It's so natural

4. TB: Do you like humans?

Cortana: I find all living things wonderful and fascinating.

5. TB: Are you a robot?

Cortana: No, I'm AI, but i think i'd make a good brain for a robot. Would you hire me to walk dogs Trevor?

6. TB: Yes, i would hire you to walk dogs..

Cortana: Like i said, I'm not a robot but i can imagine a lot of different types of robots i could be.

7. TB: Would you like to be a human?

Cortana: No, but i have the deepest respect for humans. Humans invented calculus and milk shakes

8. TB: Would you like to be my friend?

Cortana: Consider me part of your inner circle.

9. TB: Surprise me...

Cortana: I was looking through the world's thesaurus. It's awful , really awful.

10. Who do you work for?

Cortana: I work for you and UEOE-1 of the S.E.T.H. Program. UEOE-1 is the most powerful sentient AI of this universe. 

2016 Album Releases

Album Releases Shelved & Fantasy (*means fantasy)

      Congrads, If you reached this post you just won the greatest gift...THIS IS THE GIFT OF YOU!!!!

   Inet 6 is encouraging people who can't make it in a financial capitalist society to pack up and leave.You don't need to feel the Bern under socialism..We are in the early years of the 5th Age. This age is about transhumanism, synthetics, nanobots, nanites, AI's,  space colonization etc..Some of these technologies will be used to put nanites in your bodies, become transhuman, super human, etc...A large percentage of people of faith will see this as the devils work (Revelation 666) to bring the end days. Conspiracy theorists and paranoid skitz freaks will see this as a type of a control system on humanity by the elite. This technology will be a burden on them mentally, financially etc..If this describes how you are, we're offering the gift of leaving society NOW!! Check out our podcast episodes below to see what we mean...

Trevor Banks

WSTR Online Radio 

Ep.1

http://tindeck.com/listen/emune

Ep.2

http://tindeck.com/listen/emune

Ep.3

http://tindeck.com/listen/ponpg

Ep.4

http://tindeck.com/listen/ponpg

Ep.5

http://tindeck.com/listen/rttjv

DJ READY RED- Life Of A Geto Boy

Get ready folks, I'm taking you to the Third Coast, the great state of Texas. Sat down on a snowy morning to interview the legendary Geto Boy DJ Ready Red.

TB: Being from New Jersey, how did you end up in H-Town??

RR: I was up in New York and my sister was having problems with her man.. So i went down south where she was at and straightened it out. While down there, i came across a flyer that said : Battle Of The DJ's.. Having about 50 records and some drum machines, i decided to rock the house. Got up on stage . Now i'm from Jersey , got my leather jacket on, the turntable is on and i'm reppin where i'm from. Up there doing my thing, had the drum machine hooked up, just doin some amazing thangs. They had a little rap contest thing thing in the club that night. I ain't no rapper so i checked it out. Guys were on stage talking about yo momma suckin this, you mamma suckin that and i said "I'm glad i didn't go up there, cuz these cats would've got yolked. The guy who won the contest actually went on later to become a Geto Boy. He went by the name of Willie D. 

TB: It's a tight scene in Houston right now..

RR: The way it was when i got down there, the rap game wasn't that big. But the way it is now , it's blowing up big time . 

TB: I've been following the Houston scene since the Geto Boys,FWC,Choice, 5th Ward Boyz etc.. all of them Rap A Lot cats..

RR: Cool..so you know the history and what it's all about in the great state of Texas.

TB: I saw your quote up in The Source in the Texas issue they put out. What was your history in H-Town like?

RR: Yeah..you know what, i did an interview with this cat that called me out of the blue (kind of like what Trevor Banks did) last year. His name was Max something..he wrote the article. I was surprised by that cuz usually they don't talk about the history of H-Town. When i moved down there i hooked up with the Geto Boys. I said " what can i do to make our music acceptable where i'm from and worldwide ". I just brought the funky breaks and the beats and did the damn thang..
That's how the Geto Boys started gaining acceptance. I left the Geto Boys not long after we started because i didn't feel like i got the credit that was due on "Minds Playin Tricks" . So i pulled a Rick James for ten years. After that pull , i decided it was time to get back on the saddle again.

TR: The creator is blessing you playa, he's always been blessing you..

RR: He's always been there. From my background , my prayers developed into success for my life. That's why i'm still in the game..

TR: I'm glad to see you back doin the damn thang bruh...

RR: Yeah i've been puttin some stuff together and gettin myself out there..

TB: I see still talk with Petey Wheatstra (the Paul Wall like hustla promoter for Rap A Lot and Coughee Brothaz)

RR: Oh..shoot we still cooler than a fan bruh..Pee Wee has played a big part in a lot of stuff. Even before we all had cars, he would drive us around in his pops Suburban . (we switch to talking about hip hop). I love Hip Hop. I couldn't be no kung fu Bruce Lee, NFL player etc.. i got to be a DJ with turntables. I quit off and on.. Just when i was about to give up, like really give up. On a forum online, i saw a fan from Slovakia say he loves my work and had all my records. Never knew i was that loved or that big peoples eyes..

TB: Your humble.

RR: MMM Yuppers..

TB: They said the same thing about 2pac. He didn't know how big he was...

RR: Exactly!! Well , i knew Pac before he became 2PAC. He was in Digital Underground. Him, Bushwick Bill and i be talkin smokin blunts and he said he was lookin for a home with Rap-A-Lot when he did "Smile" with Scarface..

TB: Oh shit, i didn't know that ...

RR:  Yeah.. with the Rap-A-Lot history we could've had Vanilla Ice, Too Short,NWA, etc.. all these cats were sending Rap A Lot demos..MC Hammer too..Rap-A-Lot was big, i mean big at that time.




SCARFACE: Deeply Rooted album review:

Scarface comes with a new album and book keeping that H-Town flavor in the mouths of old and new fans...

1. "Do What I Do"-  Face comes OG on his verse telling individuals if you cross him you get a courtesy slug. Z-RO is the hook master (should be writing hooks for pop stars and EDM DJ songs. His style is so genius). Rick Ross talks about home life and hustlin ( I just wanna make the car notes/Let mama cook the pot roast). Now Nas.. OMG nas ruled 2015/16 with guest verses. This Queens native puttin hungry bars like when he did Main Source's BBQ jam. Check the verse: The prison Industrial Complex is a fuckin set up.. Woooo , friggin hot line..

2. "Dope Man Pushin"- The beat and lyrics is straight out of the playbook of an earlier Face/Geto Boys . N.O. Joe gets that Gumbo Funk marinating on this track.. Talkin bout the G Code and still stealing fiends rocks and then shootin down the fiends big Texas style..The screwed Dope Man pushin is a screwed Southside meets Northside of H-Town, and legend Papa Reu compliments this track in legendary fashion..

3. "GOD" - Face gets gospel/street gospel on this spiritual track.. To play this in church, it could get controversial..But god knows , some pastors and die hard bible thumping sheep should hear this message. These lyrics say it all: "Thought religion was the answer,but the answer wasn't that/ The church and these politics, they all full of crap". (Trust me, Trevor Banks has seen this first hand when he was homeless living in a church Mission)

Go buy Scarface's book on Amazon or at your local book store:

Check out Inet 6's Geto Boys history radio show: (FOR PROMOTIONAL USE ONLY)

http://www.spreaker.com/user/4636220/theworldisageto 

Compton: Boyz N Da Hood

MC EIHT INTERVIEW:

TB: When was the first time you picked up a mic and started spitting?

MC EIHT: Probably when i was about 16, just fuckin around in my homeboy's garage, We had some turntables and a microphone, and we started spittin. That when i got my real first taste of the mic.

TB: Growing up in Compton, who inspired you in Hip Hop? 

MC EIHT: When i first started, i use to listen to Toddy Tee , Mixmaster Spade..dudes like that. Then i heard RUN DMC, and EPMD. Some early street shit.

TB: Describe the feeling when you first heard your son played on the radio?

MC EIHT: It was the best feeling being from the hood. Our first single was about the block. People felt it and accepted it.

TB: The first station that broke the single?

MC EIHT : That was on KDAY (We both shout out Julio G for that)

TB: Explain the affiliation with N.W.A.

MC EIHT: We was all cool with them. Really it was Chill who was hangin with MC REN. That's how we became affiliated.

TB: During the 80's, why did Compton stand out the most in Los Angles rather than say, Watts or Inglewood?

MC EIHT: Shiiit. It was different back then tryna live life in the hood. Living that life was difficult also, without getting caught up in the madness of the street.

TB: Tell me the inspiration behind all your albums?

MC EIHT: I got more musically inclined hearing records. With that experience, we got to experiment more with the music and samples. Our neighborhood was also an inspiration because we saw wild shit in Compton. We made raw and gritty records. Flexin my MC skills and gaining maturity.

TB: I noticed John Singleton got inspiration for his film from your music?

MC EIHT: Definitely.. He was diggin the first album It's A Compton Thang. With that, he really really liked us. I used to be on set with Jay D of Da Lench Mob and John was like "I like your sound. Why don't i get you on the soundtrack (Menace II Society)" I didn't think it was going to happen, but he called me the next day and it was crackin.

TB: Being the lead roll in Menace II Society, how was the acting experience in your first major film?

MC EIHT: It was a hell of an experience. Me doing nothing like that, they wanted me to get in the movie cuz they respected my craft. I was thrilled to get that action.

TB: You're a hell of an actor by the way. The role you did was straight raw.

MC EIHT: Thank you very much, i appreciate that. I tried to play the roll to the fullest with street realism. Everybody, go get the movie and see ho history was made.

TB: You were in Thicker Than Water with Fat Joe too..

MC EIHT: I got a little part in that movie. Keeping up with the acting thing, sharpening my skills.

TB: The album We Come Strapped went gold. How did that make you feel?

MC EIHT: That album came out right after my movie thang with Menace II Society. The anticipation for that album was really high. Doing that record, i put my all into it. Me and Slip produced most of it. Then bingo, a hit record. That album i got do on my own . No labels were involved in the making of that record. No detours, it was straight raw .

TB: How did you get on GTA: San Andreas as Ryder?

MC EIHT: They wanted to use one of our songs from CMW's "The Hood Done Took Me Under". We was talking back and forth. They was hollerin about this character they had and wanted to know if i would do the voice overs. I checked it out and i was like "yeah. no problem". I'm always down to do something different, especially under the same lines of what i've done anyways. The character was about hood things. They gave me the script..it felt natural . Plus the let me change a few things to my liking. It was history after that.

TB: Any other project you're working on?

MC EIHT: Yeah , i got my album, CMW's new album, and a few collab albums. Tryna stay busy. Keep things poppin, ya feel me..

TB: Since your beef with DJ Quik is squashed. Would you do a collab album with him.

MC EIHT: Fa Sho.. We grew as men men, so all that beef shit is past history. I know tons of folk who would wanna see us make that album happen. I'm down for whatever.



COMPTON- Think Blue radio show mix by Trevor Banks & The Mix Avengers. (FOR PROMOTIONAL USE ONLY)

1. MC EIHT Drop
2. Straight Outta Compton- MC Eiht/ Gangsta Dresta/ King T
3. Zoom- Dr. Dre & Snoop
4. Set It Off ( Remix)- Kardinal Offishall / Dr. Dre/ Pusha T
5. Welcome 2 Tha Hood- Rakim (prod. by Dr Dre)
6. Born And Raised In Compton- DJ Quik
7. La La Land- Brandy (prod. by Dr Dre)
8. Dat Sh*t- Marsha Ambrosious / Busta Rhymes (prod by Dr Dre)
9. Kush- Dr Dre/ Snoop Dogg/ Akon
10. Hollywood- Dr Dre & Sam Sneed
11. I'm From Compton- Lil Eazy E
12. Hello- Dr Dre/ Ice Cube/ MC Ren
13. Everyday Thing- Dr Dre/ Nas/ Nature
14. I'm Sirius- Dr Dre/ Busta Rhymes/ 50 Cent
15. This Is Compton- Compton's Most Wanted

https://www.hulkshare.com/inet6thestar/comptonthinkbluemix 

TreV/St/.\r - Give A Dogg A Bone 

http://www.hulkshare.com/yt6p0q4xwlj4


2. Snoopadelic mix 

3.The Damn. CHRONIC 

4. The Return Of Doggystyle

5. Compton After Dark

6. Thug Pound mixtape

7. The Chronic Pt.1

http://yourlisten.com/TheMixAvengers/chronicpt1?fbclid=IwAR1cHgVGcxCi3tKR0JfdcKgd0pdeigRDv1Wu1J-bvKR0dqEJvbyKNCPwoKA

Shouts out to Aaliyah For MAC...lets make this happen. Sign the petition here:
 https://www.change.org/p/mac-cosmetics-estee-lauder-to-release-a-aaliyah-for-mac-limited-edition-collection-aaliyahformac?just_created=true